In my work, painting is photography and photography is painting.
Darío Villalba was born in San Sebastián in 1939 into a family with a long artistic tradition. In 1957, at the age of just 18 and before starting his studies at the Escuela de Bellas Artes de San Fernando, in Madrid, he exhibited for the first time at the Alfil Gallery in the same city. At the same time, he combined these studies with those of Law and Philosophy and Letters. A year later he moved to Paris for a few months, working during this time in the studio of the painter André Lhote. At this time he began his first photographic works, a record of great importance in his work, and which he would usually combine with painting.
Thanks to a scholarship from Harvard University, he moved to the United States in 1962, making his work known and holding several exhibitions in North America. And five years later, in 1967, he returned to Europe, albeit to London, expanding his exhibition route as well as finding a great source of inspiration in the urban environment. His international recognition came in the 1970s, starting in 1970 through the Venice Biennale and only three years later winning the International Painting Prize at the Sao Paulo Biennale. During this period he exhibited mainly in Europe, in spaces such as the Künstlerhaus in Vienna, the Palais des Beaux-Arts in Brussels or the Stadt Museum Bochum in Germany.
The 1980s, on the other hand, brought his work to the United States, in both individual and group exhibitions in renowned spaces such as the Charles Cowles Gallery, the Guggenheim in New York or the MoMA. In the last years of his career, he enjoyed anthological exhibitions on his work, such as the one presented in 1994 at the IVAM, and later at the Museet de Samtidskunst in Oslo, or the retrospective organized by the Museo Nacional Centro de Arte Reina Sofía in 2007.
His work stands out mainly for the use of photography as the basis for his pictorial works and research. These are not necessarily made by him, but in many cases he obtains them from various media, decontextualizing them and using them as a support for pictorial elements. We can find this in collections and museums such as the MoMA in New York, the Museo Patio Herreriano in Valladolid or the Es Baluard Museum of Modern and Contemporary Art in Palma.
In 2016, the Suñol Foundation dedicated the exhibition ‘Resplandor seco’ to the artist. A collection composed of selected works where photography is the main protagonist and is expressed in collages, direct prints on canvas and also in methacrylate encapsulated works, where the characters become three-dimensional elements.
Sel·lecció d’obres
Sense títol , 1971
Jones , 1974
Pies Vendados , 1974
Pies Vendados , 1974
Sense títol , 1975
Sense títol , 1975
Cabeza, hombre y manos , 1976
Cabeza, hombre y manos , 1976
Amor Krankenhaus o Duren I-II , 1976
Uno roto , 1976
Andrea ist im 76 , 1976
Andrea ist im 76 , 1976
Woman , 1976
Sense títol , 1975
Sense títol , 1978
Sense títol , 1978
Sense títol , 1975
Sense títol , 1975
Sense títol , 1975
Sense títol , 1975
Sense títol , 1975
Sense títol , 1975
Sense títol , 1975
Sense títol , 1975
Cabeza y 79 , 1979
Faz IV , 1978
Parade adolescente , 2009
Sense títol , 1971
Sense títol , 1975
Amor Krankenhaus o Duren I-II , 1976
Woman , 1976
Sense títol , 1975
Sense títol , 1975
Cabeza y 79 , 1979
Jones , 1974
Sense títol , 1975
Uno roto , 1976
Sense títol , 1975
Sense títol , 1975
Sense títol , 1975
Faz IV , 1978
Pies Vendados , 1974
Cabeza, hombre y manos , 1976
Andrea ist im 76 , 1976
Sense títol , 1978
Sense títol , 1975
Sense títol , 1975
Parade adolescente , 2009